Dance Music Manual: Tools, Toys and Techniques (2nd Edition) by Rick Snoman

By Rick Snoman

No matter what your point of expertise, the Dance song handbook is filled with sound suggestion, recommendations and functional examples that will help you in achieving specialist effects. Written via a qualified manufacturer and remixer, this publication bargains a entire method of tune creation, together with wisdom of the instruments, apparatus and various dance genres.

* incorporated within the re-creation are sections on recording tools along new chapters masking extra dance song genres.
* Examines all facets of song creation, from sound layout, compression & impact to blending & learning to publishing & selling, that will help you develop into a greater producer.

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Additional resources for Dance Music Manual: Tools, Toys and Techniques (2nd Edition)

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This means that two 12 dB filters could be summed together to produce a 24 dB transition, or one 24 dB filter could be used in isolation for aggressive tonal adjustments with the following 12 dB filter used to perform a real-time filter sweep. 14 Action of a high-pass filter Fundamental Excluded harmonics Included harmonics F (harmonics/frequency) Although low-pass filters are the most commonly used type, there are numerous variations including high pass, band pass, and notch and comb. 14). A high-pass filter has the opposite effect to a low-pass filter, first removing the low frequencies from the sound and gradually moving towards the highest.

This makes filters the most vital element of any subtractive synthesizer because if the available filters are of poor quality, few sound sculpting options will be available and it will be impossible to create the sound you require. Indeed, the choice of filters combined with the oscillator’s waveforms is often the reason why specific synthesizers must be used to recreate certain ‘classic’ dance timbres. The most common filter used in basic subtractive synthesizers is a low-pass filter. This is used to remove frequencies above a defined cut-off point.

14). A high-pass filter has the opposite effect to a low-pass filter, first removing the low frequencies from the sound and gradually moving towards the highest. This is less useful than the low-pass filter because it effectively removes the fundamental frequency of the sound, leaving only the fizzy harmonic overtones. Because of this, high-pass filters are rarely used in the creation of instruments The Science of Synthesis CHAPTER 1 Band select Legend F Fundamental Excluded harmonics Included harmonics F (harmonics/frequency) and are predominantly used to create effervescent sound effects or bright timbres that can be laid over the top of another low-pass sound to increase the harmonic content.

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