Basic Music Theory: How to Read, Write, and Understand by Jonathan Harnum

By Jonathan Harnum

Basic song Theory takes you thru the occasionally complicated international of written song with a transparent, concise variety that's now and then humorous and continually pleasant. The ebook is written via an skilled instructor utilizing tools subtle over greater than ten years in his inner most instructing studio and in colleges. classes are brief, well-paced and relaxing. no matter if you're a newbie of any age, no matter if you're an skilled participant who desires to bone up in your idea, or even if you train song and want a enjoyable strategy to do it, you'll locate this e-book precious and may check with it back and again.

You will realize how effortless it truly is to:
• research speedy and successfully with effortless classes designed via a certified teacher.
• study the symbols utilized in written music.
• comprehend the phrases musicians use.
• research the piano keyboard and the guitar fretboard.
• Use reminiscence units to profit phrases and symbols.
• Use the incorporated examine publications to recollect it all.
• practice what you've got discovered with brief, effortless functional Use sections on the finish of every Chapter.
• song in to radio exhibits, tv indicates and the net to discover musicians demonstrating nice music.

With Interludes On:
• the best way to perform. a few subject matters: apparatus, the way to increase, ear education, listening, inner most teachers.
• engaging in. What does all that arm-waving suggest? How does it aid? locate the solutions and study how!
• study a few Italian. Many musical phrases are in Italian. research them during this section.
• Ultra-brief heritage of track notation.

Special Features:
• Piano Keyboard w/ observe Names
• Guitar Fingerboard w/ be aware Names
• perform Aids
• employees Paper
• specifically Designed Reviews
• useful Use Exercises
• generally Cross-Referenced
• Musical phrases Dictionary
• ebook Index
• while you are a instructor, you're attracted to the unfastened Teacher's complement. It comprises quizzes and keys, every one with 4 diverse models to decrease dishonest.

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Extra resources for Basic Music Theory: How to Read, Write, and Understand Written Music (4th Edition)

Example text

Brought to his senses by the sustained roar, continued his walk, or rather trot, towards me; when he sat down in a nervous perspiration and mopped his face while the dome was still echoing with the deep rolling sounds of his unpremeditated pedal fantasia. This story will be quite devoid of interest except to organists, and the occurrence has probably been 105 Edwards, ‘John Stainer’, 301. 106 Stainer was often asked to deputise at St Paul’s when Goss and Cooper were indisposed. This was, however, only piecemeal work, and he sought other employment as an organist in local churches.

110 Stainer maintained that in the summer of 1857 Ouseley had come to St Paul’s to consult Goss and Cooper in his search for a replacement organist at St Michael’s College, Tenbury, and, hoping to find either man at the organ console, had been surprised to encounter Stainer instead.  G.  149) in GB-Lbl Egerton 3092. 107 10 April 1855, Vestry Minutes, St Benet’s and Paul’s Wharf, GB-Lgl Ms 877/4.  H. ’ 110 Stainer, ‘The Character and Influence of the Late Sir Frederick Ouseley’, 34. 111 But whether Ouseley’s visit had indeed been impromptu is hard to say, for it is evident that, in 1855, during another of his choirboy inspections, he had met Stainer at an opportune moment, just as he was leaving the choir: I shall never forget the nervousness with which I approached this musical and clerical dignitary when summoned to meet him in the drawing-room of our master, the Rev.

105 The two young men were often to be found together, and on one occasion, after Stainer had left the St Paul’s choir, he and Sullivan found themselves sharing the organ-loft in the cathedral with Goss: In 1855 or 1856, when the organ at S. Paul’s still stood in its original position on the screen, and the organist played with his back against the choir-organ, there was a space on each side of the organ loft which had a seat where three or four visitors could sit during service. These spaces were hidden by dark red curtains, but on Sunday afternoons when Mr Goss permitted a few friends to join him, the curtains were thrown open so that his visitors could have a view of the choir and congregation, and a very pretty sight it was.

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