Audio Signal Processing for Next-Generation Multimedia by Yiteng (Arden) Huang, Jacob Benesty

By Yiteng (Arden) Huang, Jacob Benesty

I might say this e-book is a 5 megastar booklet when you are a researcher in any of the next parts: speech acquisition and enhancement, acoustic echo cancellation, sound resource monitoring and estimation, or audio coding and sound degree illustration. the mathematics is especially transparent for this kind of educational books written by way of committee with a few stable examples. i actually do not know the place the "multimedia conversation platforms" a part of the name got here from, even though. Communications is rarely addressed during this ebook, so networking researchers and scholars may still glance somewhere else. when you are a DSP scholar drawn to audio sign processing commonly, this can be additionally now not the ebook for you. you'll be thoroughly burdened from web page 1 because the authors dive into really expert DSP study subject matters you weren't waiting for. when you fall into this final type, my suggestion is to shop for a replica of "Discrete Time sign Processing 2d version" via Oppenheim, Schafer and dollar. ensure you comprehend it after which continue it round for a reference. Then purchase Zolzer's "Digital Audio sign Processing" for a superb textual content at the and software program algorithms of audio DSP.

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1 Dipole. From Euler’s equation, it is evident that the dipole microphone is simply related to an acoustic particle-velocity microphone. The construction was described earlier; the dipole is normally realized as a diaphragm whose front and rear sides are directly exposed to the sound field. 17), the dipole microphone corresponds the simple case where In Fig. 93) shows the classic cosine pattern for the microphone. 8 dB and has a 3 dB One potential beamwidth of 90°. A single null in the response is at problem, however, is that it is bidirectional; in other words, the pattern is symmetric about the axis tangential to the diaphragm or normal to the axis of two 42 Audio Signal Processing subtracted zero-order microphones that form a dipole.

5 dB. 4 Supercardioid. The name supercardioid is commonly used for a first-order differential design which maximizes the front-to-back received power. Apparently, the first reference to the supercardioid design appears in a 1941 paper by Marshall and Harry [11]. A supercardioid is of interest since 44 Audio Signal Processing of all first-order designs it has the highest front-to-back power rejection for isotropic noise. 96). 7 dB with a 3 dB beamwidth of 115°. A null in the response is located at 125°.

0 dB; the contours are in 1 dB steps. 1 Second-Order Dipole. 17(a) shows the polar magnitude response for this array. 0 dB, and by symmetry the front-to-back ratio is 0 dB. The 3 dB beamwidth is 65°. 2 Second-Order Cardioid. 29) can be a cardioid. 9 dB. A more general form for a second-order array can be written as the product of a first-order array with that of a first-order cardioid. 3 Second-Order Hypercardioid. 5 dB. A derivation of the directivity pattern and the parameters that determine the second-order hypercardioid are contained in Section 3.

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