By John Spurling
The colourful retelling of the primary Greek myths by way of acclaimed novelist John Spurling, writer of The 10000 Things, winner of the 2015 Walter Scott Prize for ancient Fiction
The classical Greek highbrow culture pervades approximately each point of our smooth Western civilization. Our common sense and technological know-how, our philosophy, politics, literature, structure, and artwork are all indebted to the traditional population of the small mountainous Mediterranean state. And the strong myths of the Greeks, subtle through Homer, Hesiod, Herodotus, and the nice Greek dramatists, nonetheless resonate on the middle of our culture.
Taking as his start line a number of the well-known vacationer websites within the Peloponnese, the place the tales are set, John Spurling, winner of the 2015 Walter Scott Prize for historic Fiction, freshly imagines key narratives from the Greek canon, together with stories of the doomed condo of Atreus (notably Agamemnon, chief of the Greeks at Troy, murdered by means of his spouse in his palace bathroom); of the god Apollo; goddess Athene; Theseus, scourge of the Minotaur; the Twelve Labors of Heracles; and Perseus, rescuer of Andromeda.
In this brilliant, gripping and sometimes grisly retelling of the Greek myths, tales of homicide, strength, revenge, love, and irritating kinfolk relationships are made new back for our time with wit and savour by way of a talented writer. Spurling has additional scene, discussion, and context, whereas continuously staying precise to the spirit of the unique delusion.
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Additional resources for Arcadian Nights: The Greek Myths Reimagined
In the earliest hymns some were simply there—Dyaus, the sky father, and Prithivî, the earth mother. However, their time of honor was already over, and their myths were not even retold. Then there were the central triad of gods—Sûrya, Indra, and Agni. However, in the Vedas the title of creator is bestowed on Prajâpati, lord of the beings or creatures. Yet there was no cosmogonic myth about him either. In the Brâhmanas and Upanishads a cosmic force or process known as Brahman would be either the totality of all that existed or the only Real, while all else was merely apparent.
The later was the most common form of creation and re-creation in the later mythology of the Purânas and had many versions. Prajâpati was the first creator or father of all, but he was soon replaced with Brahmâ. There was always something available for the production of life, the most common source being the creator’s seed. Perhaps the most interesting cosmogony was the “emission” (prasarga) of Brahmâ’s sons from his own mind (making them mânasâ-putras, mind-born sons). Some of these myths spoke of the creator becoming androgynous and producing offspring—a self-embrace transcending the opposition of male and female.
Sages such as Vyâsa and Nârada abound with awesome powers. Kings, maidens, prostitutes, rouges—from all castes and in all stages Hindu mythology provides good and bad examples of our possibilities and our frailties. MYTHIC THEMES: SPECIFIC Dharma (life’s duty) and karma (ultimate responsibility), sin and error, knowledge and ignorance, mercy and grace, pollution and purification, mortality and immortality, birth and fertility, asceticism and enjoyment, piety and ritualism, demons and gods—these weave their way throughout Hindu mythology.